Based in Indianapolis in the early 1970s, the group released only two obscure 45s in their recording career. Birthed from the same scene as the Ebony Rhythm Band, Amnesty had a political edge similar to LA Carnival and the hardest brass section since The Kashmere Stage Band. In 1973 Amnesty recorded five hard, vocal funk numbers alongside some ballads and a handful of demos based around nothing more than guitar accompaniment. Only two songs were ever released; Amnesty's biting, difficult-to-categorize prog/rock/soul/funk stretched far beyond Indianapolis's bounds and the band didn't have a label to take them to the next level. Five decades after they were recorded, these songs are funk arranged with dangerous complexity and performed with precision - arguably the most unique funk to originate from Naptown, and some of the best music of it's kind.